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  • Paul Klee
    Dec 18, 1879 – Jun 29, 1940
  • Cat and Bird - Paul Klee was a Swiss painter of German nationality, whose personal, often gently humorous works are replete with allusions to dreams, music, and poetry. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. He was, as well, a student of orientalism.
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Cat and Bird
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  • Cat and Bird

  • Paul Klee
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  • 1928
    Oil and ink on gessoed canvas, mounted on wood
    New York / VG Bild-Kunst, Bonn.

    Klee was one of the many modernist artists who wanted to practice what he called "the pure cultivation of the means" of painting—in other words, to use line, shape, and color for their own sake rather than to describe something visible. That priority freed him to create images dealing less with perception than with thought, so that the bird in this picture seems to fly not in front of the cat's forehead but inside it–the bird is literally on the cat's mind. Stressing this point by making the cat all head, Klee concentrates on thought, fantasy, appetite, the hungers of the brain. One of his aims as an artist, he said, was to "make secret visions visible."

    The cat is watchful, frighteningly so, but it is also calm, and Klee's palette too is calm, in a narrow range from tawny to rose with zones of bluish green. This and the suggestion of a child's drawing lighten the air. Believing that children were close to the sources of creativity, Klee was fascinated by their art, and evokes it here through simple lines and shapes: ovals for the cat's eyes and pupils (and, more loosely, for the bird's body), triangles for its ears and nose. And the tip of that nose is a red heart, a sign of the cat's desire.

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Other paintings by Paul Klee:

Connected to the Stars
Connected to the Stars
She Howls and We Play
She Howls and We Play
Park bei Lu
Park bei Lu
They're Biting
They're Biting
Paul KleePaul Klee was born on December 18, 1879, in Munchenbuchsee, Switzerland, into a family of musicians. His childhood love of music was always to remain profoundly important in his life and work. From 1898 to 1901, Klee studied in Munich. Upon completing his schooling, he traveled to Italy in the first in a series of trips abroad that nourished his visual sensibilities. He settled in Bern in 1902. A series of his satirical etchings was exhibited at the Munich Secession in 1906. That same year, Klee married Lily Stumpf, a pianist, and moved to Munich. Here he gained exposure to Modern art.

Klee met Alexej Jawlensky, Vasily Kandinsky, August Macke, Franz Marc, and other avant-garde figures in 1911; he participated in important shows of advanced art in Munich and Berlin. In 1912, he visited Paris for the second time, where he saw the work of Georges Braque and Pablo Picasso and met Robert Delaunay. Klee helped found the Neue Munchner Secession in 1914. Color became central to his art only after a revelatory trip to Tunisia in 1914.

In 1920, a major Klee retrospective was held in Munich. Klee taught at the Bauhaus in Weimar from 1921 to 1926 and in Dessau from 1926 to 1931. During his tenure, he was in close contact with other Bauhaus masters, such as Kandinsky and Lyonel Feininger. In 1924, the Blaue Vier, consisting of Lyonel Feininger, Jawlensky, Kandinsky, and Klee, was founded. Among his notable exhibitions of this period were his first in the United States in 1924; his first major show in Paris the following year and an exhibition at the Museum of Modern Art, New York, in 1930. Klee went to Dusseldorf to teach at the Akademie in 1931, shortly before the Nazis closed the Bauhaus. Forced by the Nazis to leave his position in Dusseldorf in 1933, Klee settled in Bern the following year. Klee died on June 29, 1940, in Muralto-Locarno, Switzerland.