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  • Claude Monet
    Nov 14, 1840 - Dec 5, 1926
  • Water Lilies 1906 - Claude Monet was a French painter, initiator, leader, and unswerving advocate of the Impressionist style. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures - Impression: Sunrise (Musée Marmottan, Paris; 1872) - gave the group his name.
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Water Lilies 1906
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  • Water Lilies 1906

  • Claude Monet
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  • 1906
    Oil on canvas
    34-1/2 x 36-1/2 in
    The Art Institute of Chicago, United States.

    For most of the water lily paintings of 1905, Claude Monet used a square canvas, depicting the pond surface from edge to edge. The pale lilies chart their random course over the waters, clustering together into single rafts of leaves and blossoms and then spreading off in different directions at the whim of the moving water.

    Like the lilies, Monet's glance skimmed over the pond, and his observations revealed his discoveries about the nature of water in his 1906 painting Water Lilies.

    Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

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stars Teresa from United States.
They look great! Thank you very much.
stars Almasa from Germany.
Thank you Kaizhou Ou, We like it so much!
stars Amit from Singapore.
It is Amazing!! Thank you.
stars Fabrice from Switzerland.
It looks perfect! Thank you.

Other paintings by Claude Monet:

Pathway in Monet's Garden at Giverny 1902
Pathway in Monet's Garden at Giverny 1902
The Goods Train
The Goods Train
Snow at Argenteuil
Snow at Argenteuil
Spring in Giverny, Afternoon Effect
Spring in Giverny, Afternoon Effect
Claude MonetIn 1890 Monet had bought a strip of marshland across the road from his house and flower garden, through which flowed a tributary of the Epte. By diverting this stream, he began to construct a water-lily garden. Soon weeping willows, iris, and bamboo grew around a free-form pool, clusters of lily pads and blossoms floated on the quiet water, and a Japanese bridge closed the composition at one end. By 1900 this unique product of Monet's imagination (for his Impressionism had become more subjective) was in itself a major work of environmental art--an exotic lotus land within which he was to meditate and paint for more than 20 years. The first canvases of lilies, water, and the Japanese bridge were only about one yard square, but their unprecedented open composition, with the large blossoms and pads suspended as if in space, and the azure water in which clouds were reflected, implied an encompassing environment beyond the frame. This concept of embracing spatiality, new to the history of painting and only implicit in the first water-lily paintings, was expanded by 1925 into a cycle of huge murals to be installed in Paris in two 80-foot oval rooms in the Orangerie of the Tuileries. These were described in 1952 by the painter André Masson as "the Sistine Chapel of Impressionism." This crowning achievement of Monet's long, probing study of nature--his striving to render his impressions, as he said, "in the face of the most fugitive effects"--was not dedicated until after his death. The many large studies for the Orangerie murals, as well as other unprecedented and unique works painted in the water garden between 1916 and 1925, were almost unknown until the 1950s but are now distributed throughout the major private collections and museums of the world. Despite failing eyesight, Monet continued to paint almost until his death in 1926.