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  • Charles Marion Russell
    Mar 19, 1864 - Oct 24, 1926
  • In Without Knocking - Charles Russell was the "other" artist (besides Frederic Remington) who chronicled life in the Wild West. Unlike Remington, Russell settled permanently in the west (Montana) and wholeheartedly embraced everything life there had to offer. He was a "real" cowboy, lived with a mountain man and was an adopted brother of the Blackfoot tribe. His oils, watercolors and bronzes reflect an intimate knowledge of his subjects, and no one was more surprised than he when they began fetching high prices.
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In Without Knocking
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  • In Without Knocking

  • Charles Marion Russell
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  • 1909
    Oil on canvas
    Amon Carter Museum, United States.

    Russell’s painting visually records a story he heard about a group of Montana cowboys in 1881. Friends of Russell’s scheduled to leave the next day on a trail drive, the men spent their last night in Hoffman, drinking, gambling and generally creating havoc as they tried to take their horses into the saloon. Scattered cards, empty bottles and bullet holes all become part of the tales these men will repeat during long nights on the cattle trail. Russell knew each of these men and their clothing and gear are authentic to them. The scene proved so popular that a director of an early Tom Mix western is said to have staged a recreation of this scene for a movie.

    In Lonesome Dove, the town of Fort Worth serves a similar purpose. It is the last town before the cattle drive north—a place to buy supplies, drink, gamble, socialize with ladies and let off a little steam.

    In 1873, after a hard winter that depressed the local economy, Fort Worth obtained a city charter from the state. By 1876, the boom was on as the railroad arrived, and growth was so swift that an estimated 1,000 people were living in tents in the city limits.

    Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

  • 100% hand-painted oil painting on artist grade canvas. No printing or digital imaging techniques are used.
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Average Rating: stars Currently rated 5.00, based on 5 reviews.
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  • stars
  • from United States.
  • It looks marvellous! Thank you very much for it!
  • stars
  • from United States.
  • It looks wonderful! You did an amazing job! Thank you so much, your extremely talented.
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  • It looks great! Thank you.
  • stars
  • from United States.
  • do horses drink whiskey?
    This is mighty fine artwork
    close to Rossi art work!
  • stars
  • from United States.
  • Hello,

    I have the painting and it looks very good. It is now being framed. Thank you all for the excellent work !

Other paintings by Charles Marion Russell:

When Blackfeet and Sioux Meet
When Blackfeet and Sioux Meet
The Round-Up
The Round-Up
Smoke of a .45
Smoke of a .45
Crippled but Still Coming
Crippled but Still Coming
Charles Marion RussellCharles M. Russell - Montana's most famous artist, and, along with Frederic Remington, one of the two most famous artists ever to paint the West - was born in St. Louis, Missouri on March 19, 1864. He came to Montana in 1880, at the age of 16, just four years after Custer's fatal last stand at the Little Big Horn.

His first job in Montana was sheepherder - and he was terrible at it. "I'd lose the damn things as fast as they put 'em on the ranch," he said later. Fired from that job, he helped professional meat hunter, Jake Hoover, spending about two years learning about Indians, wildlife, and Montana's past.

In 1882 he went to work as a cowboy, working as night wrangler on cattle drives and round-ups. During the bitter cold winter of 1886-1887, Charlie was staying on the O.H. Ranch. In a reply to the owners of the ranch who asked about the condition of their herd, Charlie drew a sketch of a gaunt, starving cow surrounded by wolves, and titled it "Waiting for a Chinook" The sketch was reproduced in the Montana newspapers, and is still today one of Charlie's best-known pictures.

During his days on the range, Charlie always had a sketch pad and some brushes with him, and occasionally he tried to make his living as an artist. But he always went back to working as a cowboy, saying he'd "rather be a poor cow puncher than a poor artist." But in 1896 his situation turned around. He married a pretty young girl named Nancy Cooper, and as soon as she took over the business end of his art career, things began to look up. Within just a few years Nancy was charging collectors what Charlie always called "dead man's prices."

Charlie Russell died on October 24, 1926, of heart failure, and he was deeply mourned by the entire state of Montana. In Great Falls, city offices and schools were closed on the day of his funeral. His first roundup boss, Horace Brewster, told the newspaper, "He never swung a mean loop in his life, never done dirt to man or animal, in all the days he lived."