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  • Edgar Degas
    Jul 19, 1834 - Sep 27, 1917
  • Dancers in the Rehearsal Room with a Double Bass - Edgar Degas was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers.
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Dancers in the Rehearsal Room with a Double Bass
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  • Dancers in the Rehearsal Room with a Double Bass

  • Edgar Degas
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  • ca. 1882–85
    Oil on canvas

    DURING THE PERIOD that Degas was furiously drawing and painting nude women in their boudoirs, he never laid aside his themes of the ballet. He was continuously trying to find new patterns and exploit fresh arrangements of color, space, and atmosphere for his dancers. Indeed, he energized these older subjects by his studies of anatomy. Originally, Degas saw his ballet subjects more pictorially; he had drawn the individual figures clothed and with considerable detail. Now he often studied them first nude, his intention being to stress the larger, simpler action and basic forms of the body in movement. Something of a similar influence crept into his painting from the sculpture he was making at the same time.

    Here the familiar scene of the rehearsal room was taken up again. Once more the typical device of dancers in pairs, their poses compared and contrasted, the old weighting of one side of a composition with several figures and balancing it with emptiness on the other; the exaggeration of space by tipping up the floor; the light pouring in from windows in the rear, helping to stress contours and silhouettes.

    The new element is a tremendous striving for unity. Gone are the charming decorative details, the enrichment of the surface, the exquisite, brief touches of almost "precious" color, cultivated so assiduously by Degas two decades earlier. The broad rich tones, the loose brush stroke (the stroke of a painter, rather than a draftsman), the gathering of light into a few major areas - all these the artist uses in a fresh way. No longer is he interested in violent movement; the theme of this ballet scene is pausation. No longer is he interested in individual piquancies of the dancers themselves. He is primarily concerned with the structure of the painting. He wishes to express, rather than depict. Of course the unfinished state of the picture makes it far easier to see his new intention and new direction.

    Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

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Other paintings by Edgar Degas:

Dancers in the Green Room
Dancers in the Green Room
Dancers in the Old Opera House
Dancers in the Old Opera House
Dancers in the Studio
Dancers in the Studio
Dancers in the Wings
Dancers in the Wings
Edgar DegasEdgar Degas As the son of a wealthy Parisian banking family, Edgar Hilaire Germain Degas originally planned to study law before opting to enter the Ecole des Beaux Arts in 1855. His studies there strongly emphasized traditional drawing skills. Degas excelled and his extraordinary draftsmanship became a hallmark of his work. In 1856, Degas traveled extensively throughout Italy where he studied renaissance and classical masterpieces.

As a founding member of the Impressionists, Degas helped to organize the ground-breaking exhibition of 1874, exhibiting 10 of his own pieces in this inaugural show. While historically labeled an Impressionist, Degas preferred the term "Naturalist". He seldom painted en plein- air. Instead preferring to work from sketches and models. The artist once said: "My art has nothing spontaneous about it, it is all reflection." His studies frequently convey an element of psychological tension, offering the viewer intimate vignettes of life in late 19th century Paris. Fascinated with the movement of forms through space, Degas often sketched dancers from the wings of theaters, working in pastel and charcoal to capture his subjects with an unrivaled immediacy. Women dancing or merely engaged in the activities of daily life consistently his favored subject. Scholarship is currently divided as to whether Degas was a misogynist or an early feminist but the raging controversy has yet to dampen enthusiasm for the artist's work.

Degas liked photography so he painted similar to how a camera would capture a picture.