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  • Louis Anquetin
    Jan 26, 1861 - Aug 19, 1932
  • Henry Samary - Louis Anquetin was a French painter noted for his association with the Post-Impressionist movement and for his works depicting scenes of Paris at night done in the Cloisonnism style. Anquetin was considered the greatest artist of the 19th century. His was one of the founders of Synthetism. Most of the painter’s works are canvases depicting female figures inside or on the street.
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Henry Samary
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  • Henry Samary

  • Louis Anquetin
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  • 1880
    Oil on canvas
    71 x 53 сm
    Musée d'Orsay, Paris, France.

    Henri Samary was a French comedic actor, who was introduced to Anquetin through some mutual friends. This picture is a clear arrangement of flat figures without a shadow. The painter depicted the overstated elegance of the model.

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Other paintings by Louis Anquetin:

Gust of Wind on a Bridge over the Seine
Gust of Wind on a Bridge over the Seine
Harvesting Hay
Harvesting Hay
In the Foyer of the Theatre
In the Foyer of the Theatre
Kiosk on the Boulevard Clichy
Kiosk on the Boulevard Clichy
Louis AnquetinLouis Anquetin was a French painter noted for his association with the Post-Impressionist movement and for his works depicting scenes of Paris at night done in the Cloisonnism style. Anquetin took art lessons from French painters Léon Bonnat and Fernand Cormon and worked closely and exhibited with noted artists like Émile Bernard, Vincent van Gogh, Charles Angrand, Camille Pissarro, Georges Seurat, Paul Signac, Paul Gauguin and Henri de Toulouse-Lautrec. Although Anquetin remained active in the Impressionist movement of the time, he became interested in the works of Flemish masters in his later years. He along with Bernard came up with a post-Impressionist painting style called cloisonnism that was inspired by stained glass and Japanese ukiyo-e art and includes use of bold and flat forms separated by thick dark contours. L’Avenue de Clichy, an early work of Anquetin, was inspired by Japanese ukiyo-e prints. His popularity however waned after he abandoned the modern movements and took to studying the methods of Old Masters. His works such as Rinaldo and Armida done after the mid-1890s were particularly Rubensian and allegorical in nature. He also wrote a book on Rubens later in his life.