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  • Jean-Francois Millet
    Oct 4, 1814 - Jan 20, 1875
  • Leconte de Lisle - Jean-François Millet was a French painter and one of the founders of the Barbizon school in rural France. Millet is noted for his scenes of peasant farmers; he can be categorized as part of the naturalism and realism movements. As a painter of melancholy scenes of peasant labor, he has been considered a social realist. Millet's paintings are noted for their power and simplicity of drawing.
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Leconte de Lisle
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  • Leconte de Lisle

  • Jean-Francois Millet
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  • 1840-41

    Charles Marie René Leconte de Lisle was a French poet of the Parnassian Movement.

    Leconte de Lisle was born on the island of Réunion. His father, an army surgeon, who brought him up with great severity, sent him to travel in the East Indies with a view to preparing him for a commercial life. After this voyage he went to Rennes to complete his education, studying especially Greek, Italian and history. He returned once or twice to Réunion, but in 1846 settled definitely in Paris. His first volume, La Venus de Milo, attracted to him a number of friends many of whom were passionately devoted to classical literature. In 1873 he was made assistant librarian at the Luxembourg Palace; in 1886 he was elected to the Académie fran?aise in succession to Victor Hugo. His Poèmes antiques appeared in 1852; Poèmes et poésies in 1854; Le Chemin de la croix in 1859; the Poèmes barbares, in their first form, in 1862; Les érinnyes, a tragedy after the Greek model, in 1872; for which occasional music was provided by Jules Massenet; the Poèmes tragiques in 1884; L'Apollonide, another classical tragedy, in 1888; and two posthumous volumes, Derniers poèmes in 1899, and Premières poésies et lettres intimes in 1902. In addition to his original work in verse, he published a series of admirable prose translations of Theocritus, Homer, Hesiod, Aeschylus, Sophocles, Euripides, Horace. He died at Voisins, near Louveciennes, in the department Yvelines.

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Other paintings by Jean-Francois Millet:

Le Vanneur
Le Vanneur
Le Vanneur (The Winnower)
Le Vanneur (The Winnower)
Liberty
Liberty
Little Goose Girl
Little Goose Girl
Jean-Francois MilletJean-François Millet, who settled in Barbizon late in 1849, was born into a farming family. Trained with an academic painter in Paris, Millet devoted his early work to portraits and erotic nudes. He was sensitive to the changes brought about by the increasing urbanisation and industrialisation of France, and he was particularly inspired by the social issues raised by the Revolution of 1848. Thereafter he turned to scenes of peasants labouring, endowing them with heroic form adapted from the art of the past.

Unprecedented in French art, such works by Millet as The Sower were particularly controversial in the political climate of the time. Powerful and monumental, Millet's sower strides across a newly plowed field with energy and resolution, scattering the seeds for a new crop; he serves as an emblem of regeneration and of the elemental relationship between man and nature. Crude in appearance, the work provoked commentary not only on its subject matter but also on its styles and unorthodox technique. Théophile Gauteier, a famous nineteenth-century critic working for a government newspaper, noted that Millet "trowels on top of his dishcloth of a canvas, without oil or turpentine, vast masonries of coloured paint so dry that no varnish could quench its thirst". Political conservatives, who viewed the peasants as a potentially disruptive social element, attacked Millet, while liberals praised his ennoblement of rural life.

A nostalgia for an existence that was a dying phenomenon eventually made Millet's works some of the most famous images of their day. His paintings were exhibited widely, and he was revered on both sides of the Atlantic.

When Millet died in 1875, he was buried at Barbizon, next to Théodore Rousseau.