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  • Charles Marion Russell
    Mar 19, 1864 - Oct 24, 1926
  • Utica (A Quiet day in Utica) - Charles Russell was the "other" artist (besides Frederic Remington) who chronicled life in the Wild West. Unlike Remington, Russell settled permanently in the west (Montana) and wholeheartedly embraced everything life there had to offer. He was a "real" cowboy, lived with a mountain man and was an adopted brother of the Blackfoot tribe. His oils, watercolors and bronzes reflect an intimate knowledge of his subjects, and no one was more surprised than he when they began fetching high prices.
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Utica (A Quiet day in Utica)
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  • Utica (A Quiet day in Utica)

  • Charles Marion Russell
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  • 1907
    Oil on canvas
    24 1/8 inches x 36 1/8 inches.

    The Lehman store in Utica, Montana, had already closed when this action painting of Utica's main street was commissioned in 1907 by Charles Lehman's sons to advertise the Lehmans' Lewistown store. Charlie created a portrait gallery of the Lehmans' former Utica customers. Charlie Russell, himself, leans on the hitching post just in front of his old friend, Jake Hoover, while Charles Lehman lounges in the doorway. Frank Hartzell's bucking horse and the tin-canned dog cause just enough excitement to bring a little wild to the West and enliven what would have otherwise been a dull day in Utica. Lehman's sons neglected to ask the cost of this painting by their old customer. Expecting a water color, they received an oil instead. While telling their father it cost "a hundred smacks," the boys had to pay off the actual figure in installments.

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Average Rating: stars Currently rated 5.00, based on 1 reviews.
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  • stars
  • from United States.
  • This is excellent Montana historical reality. I am only 67 and some of the folks in the painting (A Quiet Day in Utica) were still being spoken of when I was a young child.

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Charles Marion RussellCharles M. Russell - Montana's most famous artist, and, along with Frederic Remington, one of the two most famous artists ever to paint the West - was born in St. Louis, Missouri on March 19, 1864. He came to Montana in 1880, at the age of 16, just four years after Custer's fatal last stand at the Little Big Horn.

His first job in Montana was sheepherder - and he was terrible at it. "I'd lose the damn things as fast as they put 'em on the ranch," he said later. Fired from that job, he helped professional meat hunter, Jake Hoover, spending about two years learning about Indians, wildlife, and Montana's past.

In 1882 he went to work as a cowboy, working as night wrangler on cattle drives and round-ups. During the bitter cold winter of 1886-1887, Charlie was staying on the O.H. Ranch. In a reply to the owners of the ranch who asked about the condition of their herd, Charlie drew a sketch of a gaunt, starving cow surrounded by wolves, and titled it "Waiting for a Chinook" The sketch was reproduced in the Montana newspapers, and is still today one of Charlie's best-known pictures.

During his days on the range, Charlie always had a sketch pad and some brushes with him, and occasionally he tried to make his living as an artist. But he always went back to working as a cowboy, saying he'd "rather be a poor cow puncher than a poor artist." But in 1896 his situation turned around. He married a pretty young girl named Nancy Cooper, and as soon as she took over the business end of his art career, things began to look up. Within just a few years Nancy was charging collectors what Charlie always called "dead man's prices."

Charlie Russell died on October 24, 1926, of heart failure, and he was deeply mourned by the entire state of Montana. In Great Falls, city offices and schools were closed on the day of his funeral. His first roundup boss, Horace Brewster, told the newspaper, "He never swung a mean loop in his life, never done dirt to man or animal, in all the days he lived."