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  • Maxime Maufra
    May 17, 1861 - May 23, 1918
  • The Village on the River, Bozel - Maxime Maufra was a French landscape and marine painter, etcher and lithographer. In his paintings, Maufra sometimes quoted the pointillisit technique of Pissarro or Sisley, and also took from the strong colors and powerful drawing of the Pont Aven school. However, Maufra stayed an independent artist his all life through, and dedicated his art to recording the beauty of nature.
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The Village on the River, Bozel
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  • The Village on the River, Bozel

  • Maxime Maufra
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  • Le village au bord du torrent, Bozel
    1914

    Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

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Other paintings by Maxime Maufra:

The Village and Chapel of Sainte-Avoye (Morbihan)
The Village and Chapel of Sainte-Avoye (Morbihan)
The Village of Kerhostin
The Village of Kerhostin
The Village, Morgat
The Village, Morgat
The Waterfall - Nemours
The Waterfall - Nemours
Maxime MaufraMaxime Maufra was a French landscape and marine painter, etcher and lithographer. He was born in Nantes and began to paint at the age of eighteen. Maufra was encouraged by two local artists, the brothers Leduc, and was later sent to Liverpool to train for a commercial career; in 1883 he returned to France.

From 1884 to 90, he worked in commerce at Nantes, painting in his spare time. During this time, the artist became acquainted with Impressionism and was encouraged by the Nantes painter Le Roux and the sculptor Le Bourg.

Maufra's first exhibition took place at the Paris Salon of 1886. In 1890, he gave up commerce and began to paint full-time in Brittany, where at Pont Aven he met Gaugin and Serusier.

In 1894 his first one-man exhibition was mounted at Le Barc de Toutteville, Paris. Maufra admired Sisley and Pissarro and sometimes quoted their pointillist-like technique although his technique is clearly more aggressive and bold. His works also feature a pronounced liking for synthesis, strong color, and powerful drawing, traits reminiscent of Pont Aven artists. However, Maufra remained an independent and intuitive painter wedded to recording the truths of nature.