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  • Willard Leroy Metcalf
    Jul 1, 1858 - Mar 9, 1925
  • Woman in a Field - Willard Leroy Metcalf was an American artist. After early figure-painting and illustration, he became prominent as a landscape painter. In 1893 he became a member of the American Watercolor Society, New York. Generally associated with American Impressionism, he is also remembered for his New England landscapes and involvement with the artists' colony at Old Lyme, Connecticut.
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Woman in a Field
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  • Woman in a Field

  • Willard Leroy Metcalf
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  • 1878
    Oil on canvas
    Private collection.

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Other paintings by Willard Leroy Metcalf:

Winter Brook
Winter Brook
Winter in New Hampshire
Winter in New Hampshire
York, Maine
York, Maine
Young Birches in October
Young Birches in October
Willard Leroy MetcalfWillard L. Metcalf, born of working-class parents in Lowell, Massachusetts, studied in Boston at age seventeen with landscapist George Loring Brown and later worked at the museum school. Financial success as a book and magazine illustrator enabled him to travel to Paris and study at the Académie Julian under the conservative tutelage of Boulanger. In 1886 he was the first American painter to spend time at Giverny within the aura of Monet impressionists, but the new style seems to have had little effect on him.

Returning home he spent several years as a portraitist and illustrator and taught many seasons at the Cooper Institute in New York. During these years he led a fitful personal life, with broken marriages and a record of alcoholism. In 1904 he withdrew from society and spent a year in the Maine woods, thinking, painting, and 'drying out'. The effect was revelatory and gave fresh direction and motivation to his efforts. He called it his "Impressionist Renaissance," and he became dedicated to painting the New England landscape with more vibrant, expressive brushwork and a more colorful palette.

Now one of the Ten American Painters, he joined Childe Hassam at Old Lyme, Connecticut, for several years, moving the participants in that community from a tonalist to a more impressionist style. Several seasons were spent with the Cornish, New Hampshire, colony but generally he roamed throughout the New England countryside painting its splendors winter and summer. The "poet laureate" of the New England hills became his popular cognomen. Working often within an unconventional square format, he painted broad, light-filled, delicately colored views of the hills and villages of New England.

He was particularly close to John Twachtman, whose work was stylistically close and who responded sympathetically to Metcalf's recurrent personal dilemmas. After the demise of the Ten, Metcalf remained active as a painter, but his creative periods were interrupted by ill health and a renewed drinking problem.