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  • Claude Monet
    Nov 14, 1840 - Dec 5, 1926
  • Irises in Monet's Garden - Claude Monet was a French painter, initiator, leader, and unswerving advocate of the Impressionist style. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures - Impression: Sunrise (Musée Marmottan, Paris; 1872) - gave the group his name.
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Irises in Monet's Garden
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  • Irises in Monet's Garden

  • Claude Monet
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  • 1900
    Oil on canvas
    31-7/8 x 36-1/4 in
    Musée d'Orsay, France.

    Claude Monet painted Irises in Monet's Garden in 1900. When he purchased the Giverny estate, Monet completely redesigned the flower garden that already existed in front of the house. He became passionate about surrounding his home with flowers, and his preference for blue and violet flowers inspired him to plant most of his spring beds with irises.

    When the flowers bloomed, Monet painted them with short, thick strokes of pure pigment. In this painting he creates the floating effect of the iris beds, described by a visitor as a haze of lilac in the sun.

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Average Rating: stars Currently rated 5.00, based on 1 reviews.
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stars Hung from United States.
I had received the painting, it is a nice painting.

Other paintings by Claude Monet:

Mouth of the Seine at Honfleur
Mouth of the Seine at Honfleur
Landscape Near Zaandam
Landscape Near Zaandam
Ice Floes, Misty Morning
Ice Floes, Misty Morning
Houses of Parliament, Sunset
Houses of Parliament, Sunset
Claude MonetIn 1890 Monet had bought a strip of marshland across the road from his house and flower garden, through which flowed a tributary of the Epte. By diverting this stream, he began to construct a water-lily garden. Soon weeping willows, iris, and bamboo grew around a free-form pool, clusters of lily pads and blossoms floated on the quiet water, and a Japanese bridge closed the composition at one end. By 1900 this unique product of Monet's imagination (for his Impressionism had become more subjective) was in itself a major work of environmental art--an exotic lotus land within which he was to meditate and paint for more than 20 years. The first canvases of lilies, water, and the Japanese bridge were only about one yard square, but their unprecedented open composition, with the large blossoms and pads suspended as if in space, and the azure water in which clouds were reflected, implied an encompassing environment beyond the frame. This concept of embracing spatiality, new to the history of painting and only implicit in the first water-lily paintings, was expanded by 1925 into a cycle of huge murals to be installed in Paris in two 80-foot oval rooms in the Orangerie of the Tuileries. These were described in 1952 by the painter André Masson as "the Sistine Chapel of Impressionism." This crowning achievement of Monet's long, probing study of nature--his striving to render his impressions, as he said, "in the face of the most fugitive effects"--was not dedicated until after his death. The many large studies for the Orangerie murals, as well as other unprecedented and unique works painted in the water garden between 1916 and 1925, were almost unknown until the 1950s but are now distributed throughout the major private collections and museums of the world. Despite failing eyesight, Monet continued to paint almost until his death in 1926.