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  • Frank Tenney Johnson
    Jun 26, 1874 - Jan 1, 1939
  • Conversation on the High Plains - Frank Tenney Johnson was born near Big Grove, Iowa and would become an important early 20th-century American Western artist. Raised on a farm on the old Overland Trail, he observed the western migration of people on horseback and in stage coaches and covered wagons. This exposure to the American West would prove to be an important influence and inspiration for Johnson as an artist and painter of the American West.
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Conversation on the High Plains
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  • Conversation on the High Plains

  • Frank Tenney Johnson
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  • 1934
    Oil on canvas
    24 x 30 inches

    Harold McCracken, a noted authority on the cowboys of west once wrote, “These men developed some very highly commendable principles that were respected and considered a part of their relationships among themselves as well as those regarded as outsiders. This code was stringently followed. Their rules of ethics were few and simple. A man’s word was his bond and binding. This, incidentally, was not restricted to the cowboys in those early days of the West, when a handshake was all that was needed to seal a bargain.... Another respected rule of relationships was fidelity of friendships. A friend should never be forsaken, especially in times of great need or danger; and a double-cross was a cardinal sin in their unwritten book of unnumbered commandments. There was hardly a typical type by which to identify them [cowboys]. There were tall and skinny ones as well as short and robust ones, but they all had certain characteristics in common. One of their most distinctive attributes was their pungent, humorous, and almost caustic vernacular; and they had a large vocabulary of profanity, which was seldom used in a vulgar or obnoxious manner. There was also a sentience of pathos, born of their dedication to a life in which having a wife and family were not compatible. In the later period when all things changed, however, a good many of them settled down to enjoy the natural amenities of life; although many just retired to spend the remainder of their lives alone. The American cowboy ... was indeed a unique breed of man.”

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Other paintings by Frank Tenney Johnson:

Coming Home
Coming Home
Contrabandista a la Frontera
Contrabandista a la Frontera
Cove in Yellowstone Park
Cove in Yellowstone Park
Covered Wagon on the Santa Fe Trail
Covered Wagon on the Santa Fe Trail
Frank Tenney JohnsonFrank Tenney Johnson was among the most reflective, introspective artists ever to paint the West. His love for the vanishing West of the cowboy was perhaps engendered in him by the close proximity of his birthplace near Council Bluffs, Iowa, to the Overland Trail. Even as a young man Johnson sensed that his career would have to be that of an artist of the Old West.

In 1895 Johnson made his way to New York, where he eventually studied at the Art Students League and with such fine art notables as J.H. Twachtman, Robert Henri and William Merritt Chase. His first professional work came to Johnson in the form of illustration commissions for Zane Grey novels and for Field and Stream and other periodicals. In many ways, however, his first professional work came in the form of a 1904 trip to Colorado and the Southwest, a trip that Johnson was to make many times in his life. The trip seemed to bring into focus an impression of the Old West that made Johnson famous.

Johnson was an excellent draftsman. He used the best materials available to an artist. As did others, Johnson painted with brush, knife and fingers. Above all, Johnson painted scenes of the West that were tableau-like; he rendered romantic, poetic Western genre scenes that differed entirely from the stop-action, narrative works of his contemporaries, C.M. Russell and Frederic Remington. Johnson painted scenes that reflected his preference for non-violent subjects, scenes that showed the cowboy, the Indian or the Spanish settler in a pastoral context. Among these quiet, philosophical canvases two types stand out: his paintings of horses and his night scenes.

Eventually, Johnson became a renowned artist with studios in Los Angeles; Cody, Wyoming; and New York. He was collected by major institutions including the National Gallery of Art in Washington, D.C.; the Royal Palace in Copenhagen; and Fort Worth's Amon Carter Museum. In 1937 Johnson became an Academician of the National Academy of Design.

At the peak of his career Johnson's life came to an unusually unfortunate end. In December, 1938, Johnson attended a party, where he gave a social kiss to his hostess. Within two weeks' time, both were dead of spinal meningitis. In Frank Tenney Johnson's death, the United States lost one of the most accomplished artists ever to love the Old West.