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  • Edgar Degas
    Jul 19, 1834 - Sep 27, 1917
  • The Dancing class - Edgar Degas was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers.
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The Dancing class
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  • The Dancing class

  • Edgar Degas
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  • 1873-75
    Oil on canvas
    33 1/2 x 29 1/2 in. (85 x 75 cm)
    Musée d'Orsay, France.

    Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduced by a friend who played in the orchestra. At that time, the opera was still housed in the rue Le Peletier and had not yet moved to the building designed by Garnier which was soon to replace it. From the 1870s until his death, Degas's favourite subjects were ballerinas at work, in rehearsal or at rest, and he tirelessly explored the theme with many variations in posture and gesture.

    More than the stage performance and the limelight, it was the training and rehearsals that interested him. Here the class is coming to an end - the pupils are exhausted, they are stretching, twisting to scratch their backs, adjusting their hair or clothes, an earring, or a ribbon, paying little heed to the inflexible teacher, a portrait of Jules Perrot, a real-life ballet master.

    Degas closely observed the most spontaneous, natural, ordinary gestures, the pauses when concentration is relaxed and the body slumps after the exhausting effort of practising and the implacable rigour of the class.

    The slightly raised viewpoint looking diagonally across the studio accentuates the vanishing perspective of floor boards. Paul Valéry wrote: "Degas is one of the very few painters who gave the ground its true importance. He has some admirable floors". This is all the more appropriate for dancers in that the parquet, which was moistened to prevent slipping, is their main work tool. And the ballet master beats time on the floor with his baton.

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Other paintings by Edgar Degas:

The Dance Studio
The Dance Studio
The Dancer Perrot, Seated
The Dancer Perrot, Seated
The Daughter of Jephtha
The Daughter of Jephtha
The Duchess di Montajesi with Her Daughters, Elena and Camille
The Duchess di Montajesi with Her Daughters, Elena and Camille
Edgar DegasEdgar Degas As the son of a wealthy Parisian banking family, Edgar Hilaire Germain Degas originally planned to study law before opting to enter the Ecole des Beaux Arts in 1855. His studies there strongly emphasized traditional drawing skills. Degas excelled and his extraordinary draftsmanship became a hallmark of his work. In 1856, Degas traveled extensively throughout Italy where he studied renaissance and classical masterpieces.

As a founding member of the Impressionists, Degas helped to organize the ground-breaking exhibition of 1874, exhibiting 10 of his own pieces in this inaugural show. While historically labeled an Impressionist, Degas preferred the term "Naturalist". He seldom painted en plein- air. Instead preferring to work from sketches and models. The artist once said: "My art has nothing spontaneous about it, it is all reflection." His studies frequently convey an element of psychological tension, offering the viewer intimate vignettes of life in late 19th century Paris. Fascinated with the movement of forms through space, Degas often sketched dancers from the wings of theaters, working in pastel and charcoal to capture his subjects with an unrivaled immediacy. Women dancing or merely engaged in the activities of daily life consistently his favored subject. Scholarship is currently divided as to whether Degas was a misogynist or an early feminist but the raging controversy has yet to dampen enthusiasm for the artist's work.

Degas liked photography so he painted similar to how a camera would capture a picture.