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  • Paul Signac
    Nov 11, 1863 – Aug 15, 1935
  • Entrance to the Port of Marseilles - Paul Signac was One of the principal neoimpressionist French painters who, working with Georges Seurat, helped develop the pointillist style. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
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Entrance to the Port of Marseilles
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  • Entrance to the Port of Marseilles

  • Paul Signac
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  • 1918
    Oil on canvas
    Musée National d'Art Moderne - Paris, France.

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Average Rating: stars Currently rated 5.00, based on 1 reviews.
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stars Michael Nelson from United States.
A beautiful painted reproduction of my wife's favorite painting of Paul Signac. Much nicer than the prints that were available. It hangs proudly over our mantelpiece.

Other paintings by Paul Signac:

Les Andelys, La Berge
Les Andelys, La Berge
Capo di Noli
Capo di Noli
Harbour at Marseilles
Harbour at Marseilles
La calanque (The bay)
La calanque (The bay)
Paul SignacWhen he was 18, Signac gave up architecture for painting and, through Armand Guillaumin, became a convert to the colouristic principles of Impressionism. In 1884 Signac helped found the Salon des Indépendants. There he met Seurat, whom he initiated into the broken-colour technique of Impressionism. The two went on to the method they called pointillism, in a fashion that came to be called Neo-Impressionism. They continued to apply pigment in minute dabs of pure colour, as had the Impressionists, but they adopted an exact, almost mathematical system of applying the dots instead of the somewhat intuitive application of the earlier masters. In watercolours Signac used the principle in a much freer manner. After 1886 he took part regularly in the annual Salon des Indépendants, to which he sent landscapes, seascapes, and decorative panels. Being a sailor, Signac traveled widely along the European coast, painting the landscapes he encountered. In his later years he painted scenes of Paris, Viviers, and other French cities.