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  • Mikalojus Ciurlionis
    Sep 22, 1875 - Apr 10, 1911
  • Finale - Mikalojus Konstantinas Ciurlionis was a Lithuanian painter and composer. Ciurlionis contributed to symbolism and art nouveau and was representative of the fin de siècle epoch. The majority of his paintings are housed in the M. K. Ciurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture. The asteroid 2420 Ciurlionis is named after him.
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Other paintings by Mikalojus Ciurlionis:

Fairy-Tale. Journey of the Princess (II)
Fairy-Tale. Journey of the Princess (II)
Fairy-Tale. Journey of the Princess (III)
Fairy-Tale. Journey of the Princess (III)
Finale (Sonata of the Sea)
Finale (Sonata of the Sea)
Finale (Sonata of the Serpent)
Finale (Sonata of the Serpent)
Mikalojus CiurlionisMikalojus Konstantinas Ciurlionis was the most seminal and emblematic figure in the history of Lithuania's national culture. At the junction of the 19th and the 20th centuries he embodied the aspirations of a national revival movement and linked them with the latest tendencies in European art of the time. As a composer, he was educated at the Music Institute in Warsaw and at the Leipzig Conservatory. But later in his life, Ciurlionis' ambition to become a professional artist started interfering increasingly with his work as a composer. Ciurlionis first became known for his pioneering paintings, in which he synthesized his musical experiences and often gave musical titles (e.g. Prelude, Fugue and Sonata) to the most visionary among his works. It was only later that he became generally regarded as the first modern Lithuanian composer who incorporated national elements and some constructivist principles in the series of expressive piano miniatures, written in the late romantic idiom (1905–1909). Olivier Messiaen referred to him as to “a remarkable composer of music and paintings,” noting an unusual and deep linkage between his works of music and art. Ciurlionis composed the first Lithuanian symphonic works – poems Miške (In the Forest, 1902) and Jūra (The Sea, 1907) – that remained most popular symphonic pieces to this very day. His ideas about Lithuanian national art and its future became ideological statements for generations to come. In his articles and letters, he emphasised the significance of archaic folklore to the cultivation of modern art: “Our credo is our age-old songs and our music of the future.” Ciurlionis' manifold legacy, consisting of paintings, graphic art, musical and literary works, remains an inexhaustible source of influence and inspiration to many generations of Lithuanian artists.