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  • Abbott Fuller Graves
    Apr 15, 1859 - Jul 15, 1936
  • House and Garden (June Morning, Kennebunk) - Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism. He was one of the most famous flower painters in Europe.
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House and Garden (June Morning, Kennebunk)
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  • House and Garden (June Morning, Kennebunk)

  • Abbott Fuller Graves
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  • Abbott Fuller Graves is the most important painter to have lived in the town of Kennebunkport, Maine, where he first visited in 1891. In 1895, he purchased a home in the community, located in the southwestern part of the state. Settling permanently in Kennebunkport in 1905, he built a grand, Prairie-style home there the following year that he named Westlook. Graves enjoyed a successful career as a genre painter of small-town life in Kennebunkport, but he is best remembered for his floral subjects and garden scenes such as the present work. Indeed, he was considered New England's foremost flower and garden painter from the mid-1880s through the 1920s. Over the course of two sojourns in France, the native New Englander honed an early interest in flower painting, ultimately adopting a looser brushstroke and brighter, light-infused palette that reflected his exposure to Impressionism in Paris.

    The undated House and Garden depicts a stately New England home, its sundrenched yard vivid with a rainbow of June flowers. Bed linens airing in the bright sunlight impart a note of spontaneity, mitigating the formality of what might otherwise be a house portrait.

    In his New York Times obituary, Graves was lauded as a painter "specializing in Colonial doorways and in gardens, and for his fine still life and figure paintings."

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Other paintings by Abbott Fuller Graves:

Hollyhocks
Hollyhocks
Hollyhocks 2
Hollyhocks 2
In a Field of Flowers
In a Field of Flowers
In a French Garden
In a French Garden
Abbott Fuller GravesAbbott Fuller Graves was born in Weymouth, Maine and determined early to become a great painter of flowers. His formal art training began in Boston and continued in Paris, where in 1884 he and Edmund Tarbell made their initial study trip abroad. He sought out the most famous flower painter of Paris, Georges Jeannin, to critique his work and eventually joined Tarbell at the Académie Julian, where he studied with Fernand Cormon, Henri Gervex and Jean Paul Laurens. He and Tarbell continued to travel and study together in Europe with frequent trips home to Boston, and Tarbell remained a life-long friend and a major influence.

In 1886, Graves began teaching at the Cowles Art School in Boston, where Childe Hassam was also on the faculty and he too became another important influence. Teaching was to remain a major part of Graves' career; in 1891, he opened his own art school in Boston, which he later moved to Kennebunkport, Maine. Kennebunkport provided a new source of inspiration for Graves' pictures. Though he continued with the garden and flower subjects on which his reputation had been built, the village and its inhabitants prompted a broadening of subject matter into what we think of today as genre painting. He closed his art school in 1902 and went back to Paris, working there as a commercial illustrator for French magazines between 1902 and 1905, spending summers in Holland and England, and winning a medal in the Paris Salon of 1905. The next year, the Graves' built a "grand house" in Kennebunkport, in the style of Frank Lloyd Wright. The genre paintings, which had been successful for prints and advertising, gave way to a concentration, once again, on his first love--flowers and gardens, which he was painting with a new luminosity and color.

In 1920, the Graves' moved to New York after a show there had established his national reputation. In spite of the rising tide of Modernism in art, Graves' poetic flower-filled and dream-like visions held their appeal for critics as well as patrons through the 1920's. He continued to paint his beloved flowers until his death in 1936, but the combination of the Depression and the vogue for more outré visions had made severe inroads in his success and reputation. Though he never attained the fame and success of his friends Tarbell and Hassam, Graves was nevertheless a painter of note, especially during the 1920's.

Always gregarious, he held memberships in a number of prestigious art groups; the North Shore Arts Association, Copley Society of Boston, a life member of the National Arts Club, Boston Society of Water Color Painters, Boston Art Students Association, the American Art Association of Paris, Allied Artists of America, and the Connecticut Academy of Fine Arts among them. These memberships were finally crowned in 1926 when he was voted into the National Academy of Design as an Associate, and could add "A.N.A." to his signature.

His awards, in addition to his Paris Salon medal, include The Massachusetts Charitable Mechanics Association (1887, 1892), Exposition des Beaux Arts, Paris (1905 medal), Salmagundi Club (1933), and a number of one-man exhibitions in Boston and New York, including four at Vose Galleries (1924, 1925, 1929, 1932). The Brick Store Museum of Kennebunk, Maine featured his work in an exhibit in 1979.