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  • Pierre-Auguste Renoir
    Feb 25, 1841 – Dec 3, 1919
  • Jeunes filles au piano (Girls at the Piano) - Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau", he was noted for his radiant, intimate paintings, particularly of the female nude.
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Jeunes filles au piano (Girls at the Piano)
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  • Jeunes filles au piano (Girls at the Piano)

  • Pierre-Auguste Renoir
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  • 1892
    Oil on canvas
    45 5/8 x 35 3/8 in. (116 x 90 cm)
    Musée d'Orsay, France.

    Young women playing the piano was a recurring and favourite subject for Renoir. While the theme of youth and music had often been given allegorical treatment in French and Dutch art of the past, Renoir adopted the subject as an emblematic image of French bourgeois culture. The theme of cultivated innocence and domestic comfort underpinned much of the artist's work. This fresh and lively preparatory sketch was produced in response to an official commission from the French state.

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Other paintings by Pierre-Auguste Renoir:

Irene Cahen d'Anvers
Irene Cahen d'Anvers
La Grenouillere 2
La Grenouillere 2
Luncheon of the Boating Party
Luncheon of the Boating Party
Spring Bouquet
Spring Bouquet
Pierre-Auguste RenoirBorn in Limoges, Renoir moved to Paris and began his career as an apprentice painter in a porcelain manufacturing plant. His formal studies began at the Ecole des Beaux Arts in 1862 and continued at Gleyre's studio where he painted with fellow Impressionists, Sisley and Monet. Renoir's early paintings demonstrate his love of 18th Century French painting as well as the influence of Courbet and Delacroix.

The artist's portraits of women, often engaged in mundane daily activities, demonstrate his skill as a colorist. Working on a small scale, the artist used the subtleties of light and color to model his subjects. In the first years of the 20th Century, Renoir, encumbered by the effects of rheumatism, retreated to his home in the south of France where he increasingly turned to painting a favored subject: the female nude. These sensitive renderings, widely regarded as among the artist's finest works, represent a stylistic departure from Renoir's earlier paintings, evoking the nudes of the classical world.