1886
Oil on canvas
Sterling and Francine Clark Art Institute, Williamstown, MA, United States.
Vincent van Gogh's Lane at the Jardin du Luxembourg was painted shortly after the artist moved to Paris in March, 1886. Van Gogh's first months in Paris were significant given his exposure to drastically new approaches to art. Van Gogh would meet, among others, Henri de Toulouse-Lautrec, Georges Seurat and Paul Signac. Van Gogh would also be greatly influenced by two pivotal exhibitions he saw shortly before painting the Jardin du Luxembourg work. On 15 May 1886 Van Gogh attended the eighth and final impressionist exhibition which included works by Edgar Degas, Armand Guillaumin and Camille Pissarro. Then in June he visited the fifth "Exposition Internationale de Peinture et de Sculpture" where he saw works by Auguste Renoir and Claude Monet.
One of the best ways to gain insights into Van Gogh's development as an artist is through his letters, particularly those letters to his brother Theo. Van Gogh's correspondence often delves into his aspirations in terms of his work, at times focusing on the execution of specific paintings. It's ironic that Van Gogh's Paris period is arguably the most important in terms of his evolving skills as an artist, but Van Gogh's letters (and, correspondingly, our understanding of his thoughts and aspirations) dwindled to all but a trickle during this time. Vincent was living with Theo in Paris and, as a result, there was no need for an exchange of letters. We're left to draw our own conclusions as to Van Gogh's emerging style--from the muted and somber browns and grays of the chilly Brabant countryside to the vibrant colours of his awakening palette.
While in Paris Van Gogh envisioned a type of artists' collective in which various painters would support each other and share in the profits from sales. Van Gogh coined the term "Petit Boulevard" for this collective, an idea that he would continue with his ill-fated "Studio of the South" initiative with Paul Gauguin in the south of France. While neither of these well intentioned concepts ever properly came to fruition, there's no denying that the influence of the artists surrounding him would have a profound effect on Van Gogh's style. This is clearly seen in the light and colourful composition of Lane at the Jardin du Luxembourg.
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