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  • Pierre Bonnard
    Oct 03, 1867 - Jan 23, 1947
  • Marine - Pierre Bonnard was a French painter who helped provide a bridge between impressionism and the abstraction explored by post-impressionists. He is known for the bold colors in his work and a fondness for painting elements of everyday life, member of the group of artists called the Nabis and afterward a leader of the Intimists; he is generally regarded as one of the greatest colourists of modern art.
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Marine
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  • Marine

  • Pierre Bonnard
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  • 1901
    Oil on panel

    Marine is a vivid example of Bonnard's unique ability to weave a varied range of elements in his paintings into a congruous and concordant whole. The artist here combines the elements of an active seascape with the bustling activity on shore. Throughout his life, Bonnard took great pleasure in the ocean, both as a subject for his art and a place for leisure activities with friends.

    Resonant in the current work is the pertinent influence that Japanese culture and art had upon the artist during this period. By this point in his artistic career, Bonnard was often referred to as le Nabi Japonard. His fascination with the art of the east was in part stimulated by an exhibition of Japanese art held at the Ecole des Beaux-Arts in Paris in 1890. Upon viewing this exhibition, Bonnard was intrigued by the fundamental simplicity of Japanese woodblock prints and bold use of color in large, unmodulated patches. By the time he painted the present work, the artist had developed a mature and singular style influenced strongly by those elements that had intrigued him at the Ecole des Beaux-Arts exhibition and informed by the strong influence that Gauguin had over the Nabi. As Sarah Whitfield writes, Bonnard "makes us aware that the principal subject for the painter must be the surface which, as he says, 'has its colour, its laws over and above those of objects" (Sarah Whitfield and John Elderfield, Bonnard (exhibition catalogue), London, Tate Gallery, 1998. p. 15).

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Other paintings by Pierre Bonnard:

Madame Claude Anet
Madame Claude Anet
Man and Woman
Man and Woman
Marine dans un Port du Midi
Marine dans un Port du Midi
Marine Saint-Tropez Where the Trees and The Sea
Marine Saint-Tropez Where the Trees and The Sea
Pierre BonnardPierre Bonnard was a French Post-Impressionist painter remembered for his ability to convey dazzling light with juxtapositions of vibrant color. “What I am after is the first impression—I want to show all one sees on first entering the room—what my eye takes in at first glance,” he said of his work. Born on October 3, 1867 in Fontenay-aux-Roses, France, Bonnard studied law at the Sorbonne, graduating in 1888. During this time, he was also enrolled at the École des Beaux-Arts but left to attend the Académie Julian in 1889. At this more open-minded painting academy, Bonnard met Maurice Denis, Paul Sérusier, and Édouard Vuillard, among others. Together with these artists he helped from a group known as the Nabis, who were influenced by Japanese prints and the use of flat areas of color. Early on in his career, Bonnard was better known for his prints and posters than for his paintings. Moving to the South of France in 1910, over the following decades, Bonnard receded from the forefront of the art world, mainly producing tapestry-like paintings of his wife Marthe in their home. Late works of Bonnard, such as The Terrace at Vernonnet (1939), more closely resembled a continuation of Impressionism than other avant-garde styles of the era. Because of this, at the time of his death on January 23, 1947 in Le Cannet, France, the artist’s work had been largely discounted as regressive. Today, his works are held in the collections of the Hermitage Museum in St. Petersburg, the Metropolitan Museum of Art in New York, the Neue Pinakothek in Munich, the Musée d’Orsay in Paris, and the Tate Gallery in London, among others.