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  • Sir John Lavery
    Mar 20, 1856 - Jan 10, 1941
  • Paisley Lawn Tennis Club - Sir John Lavery was an Irish painter best known for his portraits. One of the greatest painters of the late 19th and 20th centuries. During the First World War Lavery was an Official War Artist, and the Imperial War Museum has examples of his work. A portrait of Sybil Sassoon by Lavery is in the Southampton gallery. He donated 39 paintings to what is now the Ulster Museum, Belfast, Ireland.
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Paisley Lawn Tennis Club
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  • Paisley Lawn Tennis Club

  • Sir John Lavery
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  • 1889
    Oil on canvas
    71 cm (27.95 in.) x 81 cm (31.89 in.)
    Paisley Museum and Art Galleries, Renfrewshire, United Kingdom.

    During the early summer of 1889 Lavery returned to Paisley to make kit-kat sketches of dignitaries who had been invited to the reception held for The State Visit of Queen Victoria to the Glasgow International Exhibition in the previous year. These tiny portraits would come together with 250 others in a large commemorative canvas depicting the event (Glasgow Museums). His year had begun in a flurry of travel arrangements and studio appointments. By the late Spring the project was well underway. Lavery had just returned from Darmstadt where he had painted the portrait of Princess Alix of Hesse (Private Collection), and other members of the royal retinue, when the short trip from Glasgow to Paisley took place. A visit, however brief, could not be made without calling upon friends in the town where he had staged his first solo exhibition in 1886. Principally these were members of the Fulton family who, on one particular day, had taken their daughter, Alice, to the local tennis club.

    While the girl is omitted from the present canvas, both small oil sketches produced in preparation for it include her, while focussing upon the figure group at the right of the composition. A note in the minutes of Paisley Art Institute in 1915 identifies the women taking afternoon tea as Mrs William MacKean and Mrs Archibald Coats of Woodside, while the lady in the background wearing a red shawl was Mrs Stewart Clark of Filnside. The three tennis players, glimpsed through blossoming trees are Nina Fullerton, Hugh Macfarlane and the watercolourist, Alexander Balfour McKechnie. The note concludes by describing the present work as ‘an excellent example of the artist’s earlier “Impressionist” style’, implying that, as with the preparatory sketches, it was completed on the spot. The spot, the original Paisley lawn tennis club in Garthland Place, is likely to have been sited on land partly occupied by the Abercorn Bowling Club, close to the railway line.

    Lawn tennis was, by 1889, approaching the height of its popularity. Invented by Major Clopton Wingfield in 1874, with the unappealing name, ‘Sphairistike’, it quickly replaced croquet as a middle-class pastime when boxed sets of essential equipment went on the market. For the fashion-conscious factory-owners of Paisley, as the present canvas confirms, it provided the ideal theatre for social rivalries. For the artist however, in the midst of a year when time was measured in end-on appointments, dropping into the Paisley Lawn Tennis Club was a moment of delight. One had only to open a little pochade box or erect a lightweight tripod easel for the picture to come to him, unbidden. Lavery would later describe such moments as ones that brought him to ‘concert pitch’. These were times when in an elysian garden of women, the scene composed itself if you were quick enough to grasp its essence. In the present instance, there was no hesitation.

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Other paintings by Sir John Lavery:

Tennis at Trent Park
Tennis at Trent Park
The Madonna of the Lakes (Center Panel)
The Madonna of the Lakes (Center Panel)
The Green Hammock
The Green Hammock
Portrait of Lady Lavery as Kathleen Ni Houlihan
Portrait of Lady Lavery as Kathleen Ni Houlihan
Sir John LaveryLavery was born in North Queen Street, Belfast, the son of a wine and spirit merchant, but was orphaned at the age of three and for a number of unsettled years wandered between Moira, Magheralin, Saltcoats, Ayrshire and Glasgow. Finally he got a job touching up photographic negatives in Glasgow and attended evening classes at the Haldane Academy of Art there. When a studio he had set up on his own was burned down he used the insurance money to study further in London and Paris (at the Académie Julian). An early work of his was actually hung next to Manet's Bar at the Folies Bergère at the 1882 salon.

He painted at the village of Grès-sur-Loing before returning to Scotland with Alexander Roche. They, and some fellow artists, achieved success as the so-called "Glasgow boys," but Lavery soon moved on to London where he became a fashionable portrait painter with a studio at 5, Cromwell Place and a house in Tangier. He painted everyone from Winston Churchill to John McCormack, and was also commissioned to record the key events of the Irish Civil War; his wife - the American socialite beauty Hazeel Martyn, whose portrait was later used on Irish banknotes - was passionately committed to the Irish cause and had a relationship with Michael Collins. Honours were showered on Lavery, culminating in a knighthood in 1918.

On the occasion of its opening he donated 35 of his paintings to the Belfast- now Ulster - Museum; they include the well-known Bridge at Grès. A triptych of his, The Madonna Of The Lakes (using his wife and step-daughter as models), is in St Patrick's R.C. Church, Donegall Street (where he himself had been baptised). His widow presented a further collection of his works to the Hugh Lane Gallery in Dublin.

He died in 1941, having published an autobiography "Life Of A Painter" the previous year..