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  • Edgar Degas
    Jul 19, 1834 - Sep 27, 1917
  • Place de la Concorde - Edgar Degas was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers.
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Place de la Concorde
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  • Place de la Concorde

  • Edgar Degas
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  • 1875
    Oil on canvas
    30 7/8 x 46 1/4 in. (78.4 x 117.5 cm)
    Formerly collection Gerstenberg/Scharf, Berlin
    Hermitage, St Petersburg.

    Place de la Concorde was not commissioned and shows the artist's friends, writer Daniel Halevy and the artist Ludovic-Napoleon Lepic with his daughters. The artist has them participating in a casual scene at the famous Parisian square. Degas never painted any other picture with a similar composition. In need of money he sold his masterpiece to Vicomte Ludovic-Napoleon Lepic, and the painting remained unknown until the end of the century.

    Place de la Concorde seems to draw from the operations of popular illustration more than other Impressionist paintings - in its willingness to make the politics of form a visible, rather than suppressed, text - even if it does so only obliquely, through placement, overlap, and erasure. As was first noted by Kirk Varnedoe, the black top hat of Viscount Ludovic-Napoleon Lepic...covers James Pradier's late 1830s sculpture of the city of Strasbourg, so recently lost to the Prussians, along with Alsace and Lorraine. The statue functioned as THE site of national mourning for Parisians during the Siege of Strasbourg in September 1870, the long and difficult Siege of Paris that winter, and especially after the annexation of Alsace-Lorraine by the newly founded German Kaiserreich in the spring of 1871. It was permanently overwhelmed with wreaths, garlands, and flags, in a gesture uncannily echoing Degas's placement of Lepic's hat.

    Yet it has escaped observation how profoundly the hat marries other elements in the painting with similar political resonances: the accentuations of right and left; the tricolor bowtie of the figure on the left; Lepic's red chest decoration that looks like the ribbon of the Legion d'Honneur. In the largely muted monochrome of the painting, these elements of bright color...stand out dramatically; they are meant to be noticed. The composition and sartorial choices are key to a full sociohistoric reading of the painting. ...Reading Degas's highly staged compositional devices from the viewpoint of its audience in about 1875, however, uncovers a range of new meanings for the painting.

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Other paintings by Edgar Degas:

Pink Dancer 2
Pink Dancer 2
Pink Dancers
Pink Dancers
Pond in the Forest
Pond in the Forest
Portrait after a Costume Ball (Mme Dietz-Monnin)
Portrait after a Costume Ball (Mme Dietz-Monnin)
Edgar DegasEdgar Degas As the son of a wealthy Parisian banking family, Edgar Hilaire Germain Degas originally planned to study law before opting to enter the Ecole des Beaux Arts in 1855. His studies there strongly emphasized traditional drawing skills. Degas excelled and his extraordinary draftsmanship became a hallmark of his work. In 1856, Degas traveled extensively throughout Italy where he studied renaissance and classical masterpieces.

As a founding member of the Impressionists, Degas helped to organize the ground-breaking exhibition of 1874, exhibiting 10 of his own pieces in this inaugural show. While historically labeled an Impressionist, Degas preferred the term "Naturalist". He seldom painted en plein- air. Instead preferring to work from sketches and models. The artist once said: "My art has nothing spontaneous about it, it is all reflection." His studies frequently convey an element of psychological tension, offering the viewer intimate vignettes of life in late 19th century Paris. Fascinated with the movement of forms through space, Degas often sketched dancers from the wings of theaters, working in pastel and charcoal to capture his subjects with an unrivaled immediacy. Women dancing or merely engaged in the activities of daily life consistently his favored subject. Scholarship is currently divided as to whether Degas was a misogynist or an early feminist but the raging controversy has yet to dampen enthusiasm for the artist's work.

Degas liked photography so he painted similar to how a camera would capture a picture.