• Welcome to PaintingMania.com
  • Hello, New customer? Start here.
  • Edgar Alwin Payne
    Mar 01, 1883 - Apr 08, 1947
  • Red Mesa, Monument Valley, Utah - Edgar Alwin Payne was an American painter. He was known as a Western landscape painter and muralist. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains.
Shop by Art Gallery
Red Mesa, Monument Valley, Utah
  • Pin It
  • Share on Tumblr
  • Enlarge
  • Red Mesa, Monument Valley, Utah

  • Edgar Alwin Payne
  • Standard size
    We offer original aspect ratio sizes
  • Price
  • Qty
  • 20 X 24 in
  • $116.95
  • 24 X 36 in
  • $183.95
  • 30 X 40 in
  • $246.95
  • 36 X 48 in
  • $353.95
  • 48 X 72 in
  • $658.95
  • If listed sizes are not in proportion to the original, don't worry, just choose which size is similar to what you want, we can offer oil paintings in a suitable size, painted in proportion to the original.
  • If you would like the standard size, please let us know. Need a Custom Size?
  • line
  • Oil on canvas
    25 x 30 in. (63.5 x 76.2 cm.)

    In Red Mesa, Monument Valley, Utah, three riders move through an overwhelming landscape dominated by a towering range of orange and red sandstone canyon facades. Dwarfed by the expansive terrain, the painting achieves Edgar Paynes's desired effect, underscoring the harmony of man and nature--a theme established early in the canon of American art by Hudson River School founders Thomas Cole and Frederic Church. "In his [Payne's] Southwestern paintings, as in all his work, the theme of the relationship between man and nature is an important one. Pirates and fishermen, packers and Navajo on horseback all move within a landscape to which they are closely related, both artistically and conceptually. In some works the conception seems romantic, but in others a profound philosophical and spiritual awareness is clearly conveyed. That his concern and respect for the natural world was neither unconscious nor automatically reflected we know from his writing. Very often it is in the desert paintings that this relationship is most clearly expressed, with Indian horsemen often shown as very small figures within a dominating landscape. There were, however, some exceptions to the general pattern that horses and men are subordinate to the landscape." (R.N. Cohen, The Paynes: Edgar and Elsie, American Artists, Minneapolis, Minnesota, 1988, pp. 64-5)

    Red Mesa, Monument Valley, Utah emphasizes the rhythms of space, form, color, and light in a decidedly modern treatment. Thoroughly conscious of composition, Payne has concentrated his figures together in the lower center portion of the canvas to emphasize the enormity of the Utah landscape. In discussing another work from the period, author Rena Coen comments, "but it is not so much about the light that dominates this composition as the steady rhythm of the scene, creating a clear, visual unity between the near rock masses and the farther ones fading in steady cadence into the subtle lavender blues of the distance. Edgar instinctively recognized the elemental human need for organizing rhythm in pictorial composition and he compared its function in painting to music and dance." (The Paynes: Edgar and Elsie, American Artists, p. 67)

    Contrasted with the weight of this dominating landscape, sweeping clouds stretch beyond the physical limits of the canvas edge to create a rhythmic presence of an almost abstract color-field design. A heavy shadow occupies the foreground of the valley lending a sense of further movement to the overall landscape as the riders gently pass through the scene approaching the viewer. While emphasizing the seemingly infinite landscape of the American west, Payne's work also serves as a thoughtful and genuine depiction of the Native American in their natural setting, a frontier that was witnessing rapid change.

    Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

  • 100% hand-painted oil painting on artist grade canvas. No printing or digital imaging techniques are used.
  • Additional 2 inch blank border around the edge.
  • No middle people, directly ship to the world.
  • In stock items ship immediately, usually ships in 3 to 10 days.
  • You can order any painting in any size as your requests.
  • $12.95 shipping charge for small size (e.g., size <= 20 x 24 in).
  • The cheapest shipping rate from DHL, UPS, USPS, etc.
  • Canvas stretched on wood bars for free.
    - Need special frame for oil painting? Please contact us.
  • Send you a digital copy via email for your approval before shipping.
  • 45-day Satisfaction Guaranteed and 100% Satisfaction Guaranteed.
Prev Red Mesa and Thunderheads Red Sails, French Tuna Boats Next
Would you like to publicly share your opinion of this painting?
Be the first to critique this painting.

Other paintings by Edgar Alwin Payne:

Red Mesa
Red Mesa
Red Mesa and Thunderheads
Red Mesa and Thunderheads
Red Sails, French Tuna Boats
Red Sails, French Tuna Boats
Redwoods Bears
Redwoods Bears
Edgar Alwin PayneBorn in rural Missouri, Edgar Alwin Payne grew up in the Ozark Mountains which instilled in him a love for the wilderness that would remain with him for the rest of his life. By the age of fourteen, Payne was completely on his own and made his way painting houses, signs, and stage sets until he reached Chicago and began a brief period of formal training in fine art at the Art Institute of Chicago.

While in Chicago, Payne learned of a nascent art colony located at Laguna Beach, California. In 1911 he made his first visit to the region that would provide him with a lifetime of inspiration and which he was to immortalize on canvas. By 1917 Payne had made Laguna Beach his home. Here he was inspired by subjects that were close at hand: Santa Catalina, Laguna Canyon, and the Laguna shoreline. However, Payne was driven by an incessant wanderlust that lured him away from the southland. Between 1922 and 1924, he traveled Europe and completed a series of impressive maritime and mountain scenes which strongly suggest his more mature work.

Upon his return from Europe, Payne began the body of work for which he is justifiably most famous, his paintings of the California Sierras. Over a period of twenty years, Payne repeatedly found inspiration in the dense forests and ever-imposing peaks of the High Sierras. Occasionally, Payne would make sketching and painting trips to northern Arizona and New Mexico, producing canvases that were totally different in palette from his other themes. Payne's talent enabled him to project the vastness of the Southwest, recording the silence of the weather-shaped monuments and magnifying their immensity by comparing them to humans. His death in 1947 ended a life-long love of the West recorded in unforgettable canvases by this accomplished painter.

Payne's work is held in the collections of the Phoenix Art Museum, Arizona; the Springville Museum of Art, Utah; the Brigham Young University Fine Arts Collection, Provo; and the National Museum of American Art, Washington, D.C.