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  • Edgar Alwin Payne
    Mar 01, 1883 - Apr 08, 1947
  • Riders in Canyon de Chelly - Edgar Alwin Payne was an American painter. He was known as a Western landscape painter and muralist. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains.
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Riders in Canyon de Chelly
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  • Riders in Canyon de Chelly

  • Edgar Alwin Payne
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  • circa 1930s.
    Oil on canvas laid down on board
    28 x 34 in. (71.1 x 86.4 cm.)

    Riders in Canyon de Chelly emphasizes the rhythm of space, form, color, and light in a decidedly modern treatment, a hallmark of Edgar Payne's best work. Always thoroughly conscious of composition, Payne has concentrated his figures together in the lower right portion of the canvas to emphasize the enormity of the Southwestern landscape. In discussing another work from the period, author Rena Coen comments, "but it is not so much about the light that dominates this composition as the steady rhythm of the scene, creating a clear, visual unity between the near rock masses and the farther ones fading in steady cadence into the subtle lavender blues of the distance. Edgar instinctively recognized the elemental human need for organizing rhythm in pictorial composition and he compared its function in painting to music and dance." (The Paynes: Edgar and Elsie, American Artists, Minneapolis, Minnesota, 1988, p. 67)

    Contrasted against the weight of this dominating landscape, billowing clouds rise up beyond the physical limits of the canvas edge to create a rhythmic presence of an almost abstract color-field design. A heavy shadow occupies the foreground of the valley lending a sense of further movement to the overall landscape as the riders gently pass through the scene approaching the viewer. While emphasizing the seemingly infinite landscape of the American west, Payne's work also serves as a thoughtful and genuine depiction of the Native American in their natural setting, a frontier that was witnessing rapid change.

    The present painting originally belonged to Earl C. Strebe, a friend of the artist and owner of the historic Plaza Theatre in Palm Springs, California. Mr. Strebe was instrumental in originally attracting the leading talent of the day to the theater, including playing host to film premieres, radio broadcasts of Bob Hope and Jack Benny, live performances by the likes of Frank Sinatra and more recently the Fabulous Palm Spring Follies.

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Other paintings by Edgar Alwin Payne:

Rider on horseback with pack mules in a mountainous landscape
Rider on horseback with pack mules in a mountainous landscape
Rider with Pack Horses
Rider with Pack Horses
Riders in Canyon de Chelly 2
Riders in Canyon de Chelly 2
Riders in Canyon de Chelly 3
Riders in Canyon de Chelly 3
Edgar Alwin PayneBorn in rural Missouri, Edgar Alwin Payne grew up in the Ozark Mountains which instilled in him a love for the wilderness that would remain with him for the rest of his life. By the age of fourteen, Payne was completely on his own and made his way painting houses, signs, and stage sets until he reached Chicago and began a brief period of formal training in fine art at the Art Institute of Chicago.

While in Chicago, Payne learned of a nascent art colony located at Laguna Beach, California. In 1911 he made his first visit to the region that would provide him with a lifetime of inspiration and which he was to immortalize on canvas. By 1917 Payne had made Laguna Beach his home. Here he was inspired by subjects that were close at hand: Santa Catalina, Laguna Canyon, and the Laguna shoreline. However, Payne was driven by an incessant wanderlust that lured him away from the southland. Between 1922 and 1924, he traveled Europe and completed a series of impressive maritime and mountain scenes which strongly suggest his more mature work.

Upon his return from Europe, Payne began the body of work for which he is justifiably most famous, his paintings of the California Sierras. Over a period of twenty years, Payne repeatedly found inspiration in the dense forests and ever-imposing peaks of the High Sierras. Occasionally, Payne would make sketching and painting trips to northern Arizona and New Mexico, producing canvases that were totally different in palette from his other themes. Payne's talent enabled him to project the vastness of the Southwest, recording the silence of the weather-shaped monuments and magnifying their immensity by comparing them to humans. His death in 1947 ended a life-long love of the West recorded in unforgettable canvases by this accomplished painter.

Payne's work is held in the collections of the Phoenix Art Museum, Arizona; the Springville Museum of Art, Utah; the Brigham Young University Fine Arts Collection, Provo; and the National Museum of American Art, Washington, D.C.