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  • John Singer Sargent
    Jan 12, 1856 - Apr 14, 1925
  • Staircase in Capri - John Singer Sargent was an American painter by birth-right, and a leading portrait painter of his era. He loved his country yet he spent most of his life in Europe. He was the most celebrated portraitist of his time but left it at the very height of his fame to devote full time to landscape painting, water colors and public art.
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Staircase in Capri
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  • Staircase in Capri

  • John Singer Sargent
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  • 1878
    Oil on canvas
    Private collection.

    In the summer of 1878, John Singer Sargent left his studio in Paris’s bohemian Latin Quarter and traveled to the Mediterranean island of Capri, located in Italy just outside the Bay of Naples. At the time of Sargent’s visit, Capri was still relatively unknown among European and American tourists, but was a popular destination for artists, attracted by its distinctive scenery and architecture. Sargent was twenty-two and at the beginning of what would be a remarkably successful career, having just completed four years of instruction under the French portrait painter, Emile Auguste Carolus-Duran. He took up residence at the Marina hotel, and for several weeks shared English artist Frank Hyde's studio space in the abandoned monastery of Santa Teresa.

    Staircase in Capri conveys Sargent's interest in the contrast of tonal values and the effects of sunlight on architectural forms. As Erica Hirschler writes, "During his visit to Capri in 1878 and to North Africa in the winter of 1879-80, Sargent experimented with the geometry of architectural forms and with the play of light on white surfaces in a number of studies, but this spare and elegant composition is his most refined and abstract essay. A long flight of stone steps rising steeply upwards is painted from a very low viewpoint, with the branches of green vines entwined on a pergola against slight splashes of bright blue sky visible at the top. The shaft-like staircase is attenuated by the stark verticality of the design, and bright sunlight striking the flat, reflective surfaces makes sharp diagonal contrasts on the walls and throws patches of shadow onto the steps. The architecture occupies all but one segment of the picture space, making it essentially an arrangement in white, an astringent tonal exercise subtly registered in shades of pearl, silver and grey with hints of mauve and blue in the shadows. The picture’s tonal radiance and its formal preoccupation with the handling of white on white anticipates Fumée d’ambre gris [Sterling and Francine Clark Art Institute, Williamstown, Massachusetts]" (Elaine Kilmurray and Richard Ormond, eds., John Singer Sargent, Princeton, New Jersey, 1998, p. 71).

    Staircase in Capri was first owned by Auguste Hirsch, a French artist with whom Sargent shared a studio in Paris in the late 1870s. It was later acquired by Pamela Harriman, who served as the United States Ambassador to France in the mid-1990s.

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Other paintings by John Singer Sargent:

Wineglass
Wineglass
Pressing the Grapes: Florentine Wine Cellar
Pressing the Grapes: Florentine Wine Cellar
Muddy Alligators
Muddy Alligators
The Brook
The Brook
John Singer SargentJohn Singer Sargent was a painter especially known for his fine portraits. He is usually considered an American artist, although he spent most of his life in Europe. Sargent was born in Florence, Italy to USA parents. He studied in Italy and Germany, and then in Paris under Carolus Duran.

His portraits are remarkable for subtly capturing the individuality and personality of the sitters; his most ardent admirers think he is equaled in this only by Velázquez. Sargent's Portrait of Madame X (Madame Pierre Gautreau), done in 1884, is now considered one of his finest works, but it aroused so much negative reaction in Paris at the time that it prompted Sargent to move to London.

Although Sargent spent less than one year in the United States, some of his finest work is there, especially his decorations for the Boston Public Library. Sargent is usually not considered an impressionist, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is beautifully rendered in an impressionist style.

Around 1910 Sargent largely abandoned portraits, focusing mostly on landscapes in his later years.

In an era when the mainstream of art was focused on Impressionism and emphasizing artistic individuality, Sargent emphasized his own form of Realism and regularly worked doing commissioned portraits of the rich. This caused him to be dismissed as an anachronism at the time, but appreciation of him as a great artist has grown since his death.