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  • Edvard Munch
    Dec 12, 1863 - Jan 23, 1944
  • Stormy Night - Edvard Munch was a Norwegian Symbolist painter, printmaker and an important forerunner of expressionistic art. His best-known composition, The Scream, is part of a series The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholia. His work often included the symbolic portrayal of such themes as misery, sickness, and death.
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Stormy Night
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  • Stormy Night

  • Edvard Munch
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  • 1893
    Oil on canvas
    91.5 x 131 cm
    The Museum of Modern Arts, New York, NY, USA.

    The setting of The Storm is the Norwegian seaside village of Asgardstrand, where Munch often spent his summers. The main figure and the group behind her cover their ears to keep out the sound of the storm’s howling winds. This painting was made the same year Munch originated the motif of The Scream. Here the depiction is more naturalistic, and the characters are female rather than male, but the compositions both reflect Munch’s preoccupation with the concept of a solitary individual set apart from a community of others.

    Munch painted The Storm in Asgardstrand, a small Norwegian seaside resort where he often stayed. There had indeed been a violent storm there that summer, but the painting does not appear to show it, or even its physical aftermath; the storm here is an inner one, a psychic distress. Standing near the water, in an eerie blue half–light, half–dark Scandinavian summer night, a young woman clasps her hands to her head. Other women, standing apart from her, make the same anguished gesture—to what end we are not sure. The circle in which they stand, and the protagonist's white dress, give to the scene the feeling of some ancient pagan ritual, even while the solid house in the background, its lit windows shining in the dark, suggests some more regular life from which these women are excluded—or perhaps that they find intolerable.

    Munch's art suggests a transformation of personal memories and emotions into a realm of dream, myth, and enigma. His exposure to French Symbolist poetry during a stay in Paris had convinced him of the necessity for a more subjective art; there was no need, he said, for more paintings of "people who read and women who knit." Associated with the international development of Symbolism in the 1890s, he is also recognized as a precursor of Expressionism.

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Other paintings by Edvard Munch:

Spring Plowing
Spring Plowing
Starry Night
Starry Night
The Girls on the Bridge
The Girls on the Bridge
The Haymaker
The Haymaker
Edvard Munch1863-1944. The Norwegian artist Edvard Munch is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was recognized in Germany and central Europe as one of the creators of a new epoch. His star is still on the ascendant in the other European countries, and in the rest of the world. Munch's art from the 1890s is the most well known, but his later work is steadily attracting greater attention, and it appears to inspire present-day artists in particular. Often called the father of Expressionism, the Norwegian painter suffered as a child with illness, loss, and psychological terror, emotions that characterize many early images. He chose painting as his life's work at a young age and traveled throughout Europe, especially to Paris, where he absorbed the influences of Impressionism, then Post-Impressionism, and Art Nouveau design. While in Berlin, he joined a circle of writers and artists that included playwrights Henrik Ibsen and August Strindberg, who became friends and collaborators. Just as his Scandinavian colleagues, Munch unflinchingly brought the darker side of the human experience to his art.