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  • Pierre Bonnard
    Oct 03, 1867 - Jan 23, 1947
  • Street Scene, Paris - Pierre Bonnard was a French painter who helped provide a bridge between impressionism and the abstraction explored by post-impressionists. He is known for the bold colors in his work and a fondness for painting elements of everyday life, member of the group of artists called the Nabis and afterward a leader of the Intimists; he is generally regarded as one of the greatest colourists of modern art.
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Street Scene, Paris
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  • Street Scene, Paris

  • Pierre Bonnard
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  • SCèNE DE RUE, PARIS
    circa 1918
    Oil on canvas

    In Scène de rue, Paris, Bonnard’s fascination with the spectacle of urban modernity is very apparent. Montmartre and the streets of Paris served the artist as a colourful source of inspiration. The bustle of the Parisian crowd and the wonderful vibrancy of the night scene in the present work is captured in small passages of colour, depicting standing figures in their evening dress.

    Henry Dauberville writes of Bonnard’s street scenes: ‘Ses scènes de la rue portant la marque d’un humour empreint de joie de vivre: chevaux, chiens, vendeuses, marchandes des quatre-saisons, toute une jeunesse rieuse qui fourmille dans le quartier des Batignolles et jusqu’à la Place Clichy, tout est peint avec une gentillesse un peu moqueuse. Premières émotions artistiques d’un jeune peintre qui veut exprimer la gaieté de ce Paris 1900, animé vivant, bon enfant’ (J. and H. Dauberville, op. cit., vol. I, pp. 36 & 37).

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Other paintings by Pierre Bonnard:

Street in Eragny-sur-Oise or Dogs in Eragny
Street in Eragny-sur-Oise or Dogs in Eragny
Street Scene in Paris
Street Scene in Paris
Striped Blouse
Striped Blouse
Sunset (Soleil Couchant)
Sunset (Soleil Couchant)
Pierre BonnardPierre Bonnard was a French Post-Impressionist painter remembered for his ability to convey dazzling light with juxtapositions of vibrant color. “What I am after is the first impression—I want to show all one sees on first entering the room—what my eye takes in at first glance,” he said of his work. Born on October 3, 1867 in Fontenay-aux-Roses, France, Bonnard studied law at the Sorbonne, graduating in 1888. During this time, he was also enrolled at the École des Beaux-Arts but left to attend the Académie Julian in 1889. At this more open-minded painting academy, Bonnard met Maurice Denis, Paul Sérusier, and Édouard Vuillard, among others. Together with these artists he helped from a group known as the Nabis, who were influenced by Japanese prints and the use of flat areas of color. Early on in his career, Bonnard was better known for his prints and posters than for his paintings. Moving to the South of France in 1910, over the following decades, Bonnard receded from the forefront of the art world, mainly producing tapestry-like paintings of his wife Marthe in their home. Late works of Bonnard, such as The Terrace at Vernonnet (1939), more closely resembled a continuation of Impressionism than other avant-garde styles of the era. Because of this, at the time of his death on January 23, 1947 in Le Cannet, France, the artist’s work had been largely discounted as regressive. Today, his works are held in the collections of the Hermitage Museum in St. Petersburg, the Metropolitan Museum of Art in New York, the Neue Pinakothek in Munich, the Musée d’Orsay in Paris, and the Tate Gallery in London, among others.