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  • Pierre Bonnard
    Oct 03, 1867 - Jan 23, 1947
  • White Landscape on the River - Pierre Bonnard was a French painter who helped provide a bridge between impressionism and the abstraction explored by post-impressionists. He is known for the bold colors in his work and a fondness for painting elements of everyday life, member of the group of artists called the Nabis and afterward a leader of the Intimists; he is generally regarded as one of the greatest colourists of modern art.
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White Landscape on the River
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  • White Landscape on the River

  • Pierre Bonnard
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  • PAYSAGE BLANC à LA RIVIèRE
    circa 1916
    Oil on canvas
    25 1/2 x 31 7/8 in.

    Through his involvement with the Nabis at the beginning of the century, Bonnard had grown accustomed to using decorative stylistic elements in his paintings, such as flattened patches of color and bold contours. In his depictions of the southern French landscape, his use of this technique was extraordinarily effective in conveying the variations in the terrain. In the present work, he uses interlacing patches of color to form the rushing stream and a small town in the distance.

    From 1910 onwards, Bonnard spent an increasing amount of time along the Mediterranean coast of France, finally purchasing a villa near Le Cannet, "Le Bosquet". Fascinated by the Mediterranean landscape, he spent much of his time capturing the port of Cannes. Strongly taken by the luminosity and the atmosphere that engulfs this area, Bonnard explored the infinite variations of light, the progressive changes of volumes and contours, and he experimented with varying perspectives.

    In 1928, André Lhote commended the artist in an enthusiastic article, "A never ending innovative organisation of the canvas, in which the grimness is hidden under nonchalant appearances, as well as the sonorous and complicated colour harmonies" (André Lhote, La Revue Fran?aise, January 1, 1929).

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Other paintings by Pierre Bonnard:

View of Le Cannet, Roofs
View of Le Cannet, Roofs
White Interior
White Interior
Wildflowers
Wildflowers
Woman at a Table
Woman at a Table
Pierre BonnardPierre Bonnard was a French Post-Impressionist painter remembered for his ability to convey dazzling light with juxtapositions of vibrant color. “What I am after is the first impression—I want to show all one sees on first entering the room—what my eye takes in at first glance,” he said of his work. Born on October 3, 1867 in Fontenay-aux-Roses, France, Bonnard studied law at the Sorbonne, graduating in 1888. During this time, he was also enrolled at the École des Beaux-Arts but left to attend the Académie Julian in 1889. At this more open-minded painting academy, Bonnard met Maurice Denis, Paul Sérusier, and Édouard Vuillard, among others. Together with these artists he helped from a group known as the Nabis, who were influenced by Japanese prints and the use of flat areas of color. Early on in his career, Bonnard was better known for his prints and posters than for his paintings. Moving to the South of France in 1910, over the following decades, Bonnard receded from the forefront of the art world, mainly producing tapestry-like paintings of his wife Marthe in their home. Late works of Bonnard, such as The Terrace at Vernonnet (1939), more closely resembled a continuation of Impressionism than other avant-garde styles of the era. Because of this, at the time of his death on January 23, 1947 in Le Cannet, France, the artist’s work had been largely discounted as regressive. Today, his works are held in the collections of the Hermitage Museum in St. Petersburg, the Metropolitan Museum of Art in New York, the Neue Pinakothek in Munich, the Musée d’Orsay in Paris, and the Tate Gallery in London, among others.